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VOLUME XXXVI * No. 139 * Autumn 1995
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VOLUME XXXVI * No. 139 * Autumn 1995

Highlights

Gyula Illyés

A Sentence About Tyranny

Egy mondat a zsarnokságról

Translated by George Szirtes

      Where tyranny exists
      that tyranny exists
      not only in the barrel of the gun
      not only in the cells of a prison

      not just in the interrogation block
      or the small hours of the clock
      the guard's bark and his fists
      the tyranny exists

      not just in the billowing black fetor
      of the closing speech of the prosecutor,
      in the "justified use of force"
      the prisoners' dull morse

      not merely in the cool postscript
      of the expected verdict
      there's tyranny
      not just in the crisp military

      order to "Stand!" and the numb
      instruction "Fire!", the roll of the drum,
      in the last twitch
      of the corpse in the ditch

      not just in the door half open
      and the fearful omen,
      the whispered tremor
      of the secret rumour

      the hand that grips,
      the finger before the lips,
      tyranny is in place
      in the iron mask of the face

      in the clench of the jaw
      the wordless O
      of pain and its echo
      and the tears

      of silence-breeding fears,
      in the surprise
      of starting eyes

      tyranny supplies
      the standing ovation, the loud
      hurrahs and chanting of the crowd
      at the conference, the songs

      of tyranny, the breasts
      that tyranny infests,
      the loud unflagging
      noise of rhythmic clapping,

      at the opera, in trumpet cry,
      in the uproarious lie
      of grandiose statues, of colours,
      in galleries,

      in the frame and the wash,
      in the very brush,
      not just in the neat snarl
      of the midnight car

      as it waits
      outside the gates

      tyranny permeates
      all manners and all states,
      its omnipresent eyes more steady
      than those of old Nobodaddy,

      there's tyranny
      in the nursery
      in father's advice, in his guile,
      in your mother's smile

      in the child's answer
      to the perfect stranger;

      not just in wires with barbs and hooks
      not just in rows of books,
      but, worse than a barbed wire fence
      the slogans devoid of sense

      whose tyranny supplies
      the long goodbyes;
      the words of parting,
      the will-you-be-home-soon-darling?

      in the street manners, the meetings
      and half-hearted greetings,
      the handshakes and the alarm
      of the weak hand in your palm,

      he's there when your loved one's face
      turns suddenly to ice
      he accompanies you
      to tryst or rendezvous

      not just in the grilling
      but in the cooing and the billing,
      in your words of love he'll appear
      like a dead fly in your beer

      because even in dreams you're not free
      of his eternal company,
      in the nuptial bed, in your lust
      he covers you like dust

      because nothing may be caressed
      but that which he first blessed,
      it is him you cuddle up to
      and raise your loving cup to

      in your plate, in your glass he flows
      in your mouth and through your nose
      in frost, fog, out or in
      he creeps under your skin

      like an open vent through which
      you breathe the foul air of the ditch
      and it lingers like drains
      or a gas leak at the mains

      it's tyranny that dogs
      your inner monologues,
      nothing is your own
      once your dreams are known

      all is changed or lost,
      each star a border post
      light-strafed and mined; the stars
      are spies at window bars,

      the vast tent's every lamp
      lights a labour camp,
      come fever, come the bell
      it's tyranny sounds the knell,

      confessor is confession,
      he preaches, reads the lesson
      he's Church, House and Theatre
      the Inquisition;

      you blink your eyes, you stare
      you see him everywhere;
      like sickness or memory
      he keeps you company;

      trains rattling down the rail
      the clatter of the jail;
      in the mountains, by the coast
      you are his breathing host;

      lightning: the sudden noise
      of thunder, it's his voice
      in the bright electric dart,
      the skipping of the heart
      in moments of calm,
      chains of tedium,
      in rain that falls an age,
      the star-high prison-cage

      in snow that rises and waits
      like a cell, and isolates;
      your own dog's faithful eyes
      wear his look for disguise,

      his is the truth, the way
      so each succeeding day
      is his, each move you make
      you do it for his sake;

      like water, you both follow
      the course set and the hollow
      ring is closed; that phiz
      you see in the mirror is his

      escape is doomed to failure,
      you're both prisoner and gaoler;
      he has soaked, corroded in,
      he's deep beneath your skin

      in your kidney, in your fag,
      he's in your every rag,
      you think: his agile patter
      rules both mind and matter

      you look, but what you see
      is his, illusory,
      one match is all it takes
      and fire consumes the brake

      you having failed to snuff
      the head as it broke off;
      his watchfulness extends
      to factories, fields and friends

      and you no longer know or feel
      what it is to live, eat meat or bread
      to desire or love or spread
      your arms wide in appeal;

      it is the chain slaves wear
      that they themselves prepare;
      you eat but it's tyranny
      grows fat, his are your progeny

      in tyranny's domain
      you are the link in the chain,
      you stink of him through and through,
      the tyranny IS you;

      like moles in sunlight we crawl
      in pitch darkness, sprawl
      and fidget in the closet
      as if it were a desert,

      because where tyranny obtains
      everything is vain,
      the song itself though fine
      is false in every line,

      for he stands over you
      at your grave, and tells you who
      you were, your every molecule
      his to dispose and rule.

      (1950)


A Few Words About a Single Sentence by Mátyás Domokos

 
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