Imre J.P. Loefler
Bedbug Hunt
In the days before DDT, Budapest was a town of bedbugs. Mother believed
that the house was built from used bricks: this was her explanation for
how, in a house of clean and orderly burghers, this nocturnal insect could
colonize the bedrooms. Paul did not know how the neighbours coped with
the problem, although he did see visits of specialists in gassing. (Cyanide
was the poisonous agent. For it to work, and for the burghers to survive,
the latter had to move out for a week. All doors and windows were sealed
with brown sticking paper, telltale signs that the inhabitants have lost
a battle and decided to call in mercenary forces--alas Paul's family could
not afford to vacate the flat for seven days, seven peple for seven days
in a hotel was too huge an expense even to be comtemplated.)
The Lehners have thus developed their own startling strategy to deal with
the arthropod invasion. Incidentally, the niche for the bedbugs in the
domestic ecology would have been secure--as one got used to their bite;
they were hunted not because of a physical but rather because of the aesthetic
harm to the Lehners, a bedbug stinks, the scent of a large colony of bedbugs
is quite penetrating. Bedbug bites also bleed and thus the bedding becomes
stained, and in those thrifty days, bedsheets were changed once a month,
by which time they looked like material patterned with variously shaded
red dots. True, the smell could be squashed by stronger scents, (and there
were many) and one did not have to show the bedding to guests who came
for tea, but the real devastation to middle-class pride and sense of beauty
arose from the bedbugs' habit of depositing their excreta onto walls--they
are cleanly creatures and they do not like to soil their abode. Living
under pictures, for instance, if overcome by the urge to defecate, they
will wander off a little distance from the frame, and do the needful. There
were plenty of pictures in the Lehner's flat: either family photos or faint
and poor reproductions of great art. Bedbugs living under Boticelli's Spring
polluted the perimeter of the silvery frame, as they tried to avoid soiling
their own habitat. Ironically, bedbug cleanliness triggered bedbug persecution,
largely because these brownish circles around pictures could not be hidden
from visitors. Most of the family's friends had, of course, bedbugs in
their own flats and houses, but these matters were not discussed, evidence
was hidden as much as this could be done, for instance by putting the same
pictures into larger and larger frames from time to time. Shame and embarrassment,
the constant movers of burgherly action even tried to edit out of reality
the word "bedbug" and Paul's young brother Steve was told--to
make sure that he did not inadvertedly promulgate classified information--that
those little things he saw scurrying about were "moths".
The ultimate Lehner stragegy was the monthly cooperative of the bedbug
hunt. Father took a day off from work and appeared for breakfast in the
attire he reserved for shoe-cleaning and bedbug-hunting: an unbelievably
old pair of trousers and a similarly ancient, but much tattier, shirt.
After breakfast, the attack started in the parents' bedroom. All furniture
was moved, the beds were taken apart, the pictures were taken from the
walls, and the hunt proper began in earnest. Mother and sister Theresa
each carried a little rectangular soapdish filled with water in their left
hand, and a small stiff wire (the type used to poke the roast to determine
how tender it is) in their right. Poking the wire into the holes and cracks
and recesses of the wall, they made the bedbugs emerge: the quarry in flight
was then knocked, with a quick flick of the wire, into the waterfilled
soapdish to drown. This method of hunting was tedious and required dexterity.
If one poked about with the wire too much one damaged the walls, in particular
one had to be careful not to make the holes for the nails on which the
pictures hung bigger. Squashing the bugs in flight was forbidden, not because
this was considered unsportsmanlike, but squashing bedbugs on the wall
would have made the walls look like the bedsheets, as changing time approached.
A further problem was the soapdish with water, and a steady hand was required
to avoid scratching and splashing the wall. Not surprisingly, the sport
was dangerous--and also rather loud. One of the ladies covering the upper
regions and standing on a ladder may just have disturbed a group of bedbugs
(is it a covey, a herd, a school, or a pack?) hiding in a hole around the
nail on which a lustreless replica of Raphael's Madonna della sedia hung:
the bugs took flight, scattered in all directions, and could they run!
Sometimes a dry painting brush was used to wipe the running game from the
wall into the vessel of death.
Father was in charge of chemical warfare and his main concerns were the
breeding colonies. Most of these colonies were found in the complicated
inner mechanism of the beds. These beds were wooden structures, except
for the linkages between the headpiece and footpiece and the sideboards.
These linkages were metallic slots accommodating metallic hooks and behind
the slotted plate of bluish metal was ample space for a thriving hatchery:
eggs and hatchlings in various stages of development as evidenced by size
and colour and consistency sheltered here. As these metal plates were screwed
to the hard wood, all plates had to be unscrewed every month. The hiding
places having been uncovered, turpentine was spread in all the corners
and nooks. This task required much circumspection, as turpentine could
spoil the carefully polished parket floor by dissolving the wax which generations
of maids had brushed into the floor. Therefore, thick layers of newspaper
had to be laid down first--the nations' Catholic conservative daily thus
finding transient use, transient, because this multifarious resource, newsprint,
was gathered again in the evening, stored in the cellar and used for many
other things before it found its penultimate role in the complicated task
of lighting the fire in the stove in the bathroom.
Paul's job was to help Father to disassemble the beds, keep the eight screws
for each plate (four plates to each bed, two beds in the room) properly
identified, as each screw had to be replaced in its original hole, this
procedure having been thought to be beneficial to the preservation of hole
and screw. Paul was also responsible for the hot pursuit of escaping bedbugs,
as there were some who tried to avoid death by turpentine by dropping to
the floor. These had to be squashed. But the body of a fully grown bedbug
is hard to squash, particularly for a child and particularly against the
multilayered carpet of the conservative daily. A hammer had to be used.
But then again, a metal headed hammer in the hand of an excited juvenile
hunter could do damage to the floor, newspaper carpet or not, and so the
hammer was a wooden one with a large head.
The hunters rested for a break at mid-morning, devouring well deserved
sandwiches on the battlefield. Then work continued. The hunt in the parents'
bed-room took all morning, not only because of the complicated beds with
the 64 screws and those wooden springs, ten to a bed, resting on wooden
cylinders, the latter slotted into the sideboards--and in Paul's family
it was a rule that each individual piece in the flat had to be put back
where it came from, nothing was interchangeable, in fact the very idea
of interchangeability was despicable! The hunt in this room was time consuming
because the largest number of bedbugs were here. Mother's theory was that
this peculiarity of distribution was the result of the lack of concern
on the part of the neighbours whose bedroom adjoined. This lack of concern
was also manifest in their leaving the radio blaring (in spite of the fact
that the Lehners had no radio, this blaring was only welcome if there was
an operatic programme or some sensational news was to be expected) but
then these unconcerned neighbours were used to doing everything loudly,
had enormous arguments using foul language and on occasions, in fact quite
frequently, made groaning and laughing and sighing noises, accompanied
by a lot of creaking noises which apparently are made by inconsiderate
neighbours and are rather difficult to explain to children. According to
this theory of Mother's, the neighbours were the indescribably dirty people
with bedbugs and we only had the overspill from the neighbours' bedbug
sanctuary. These neighbours--a police captain and his idle, childless wife--never
did anything about these bedbugs, Mother said, explaining, yet again, her
theory of the gradient between rooms. Paul never believed in this theory,
however often it was proposed, whenever there was talk of bedbugs or of
the neighbours. Probably, Paul thought, the bedbugs prefer the blood of
children. For one thing, their bedsheets were more spotted than those of
the adults, but then they all slept in the parental bedroom at that time.
They slept on cumbersomely folding metal beds, which required the cooperation
of two persons to unfold and position every evening and to fold and store
in a corner every morning. (Always the metal feet on feltpads, like beermats
to protect the precious floor.) Also, in that very room was the real bedbug
sanctuary: the 200-year-old black clock with its brass pendulum. Like the
temple of Vesta in ancient Rome, if a culprit made it to the sanctuary,
it escaped unhurt. Even bedbugs rushing towards the old clock were not
in peril as everyone was so afraid to disturb the clock. There was the
explanation that some time in the prehistoric beginnings of the family,
in times not remembered by Paul, during an early hunt, the clock was taken
off the wall. It took Father several months to adjust that clock after
this disturbance, he had to balance it again by putting little wedges of
wood and paper behind it. This clock was the master clock in the house,
losing a minute in the week during the winter and gaining about the same
amount during the summer. Also, of course, the location of this clock allowed
it to be adjusted and checked as the noon time signal came from the neighbours'
radio every Sunday, through the same wall through which, according to Mother,
the bloodsucking insects invaded.
By midday the parents' bedroom was reassembled. Clean sheet, clean pillowcases
tonight!--in Paul's memory the pleasure of clean bedlinen is inseparable
from the smell of turpentine. Lunch. A hunter's lunch. Quick good lunch
for hard workers. Then the troops parted, Father and Paul attacking the
grandparents' bedroom, and the ladies the pictures in the drawing room
and the lobby.
The grandparents' bedroom did not harbour many colonies of bedbugs, perhaps
because their blood was not sweet, but salty, thought Paul. Also, the beds
were more easily broken down, no screws to worry about. In the early days
the drawing room and the lobby were not much of a problem. There were rows
of pictures, photographs: each one of the children as a naked baby, then
in the pram, later as a toddler holding a ball; all pictures taken in the
studio of Master Rosbaud, all made with the same mysterious, large, black,
cloth covered camera and the actual exposure--after a lot of posturing
and excitement--consisted of taking the lens cover off, and replacing it
again whilst everyone held his breath. (Because of the lack of cooperation,
the baby pictures were never sharp giving rise to a new style.) As there
were many pictures in the drawing room and the hall, there was shelter,
but there were not many bedbugs because there was no food for them. For
the lack of sleeping mammals in these rooms, the habitat was unattractive
to bedbugs in spite of the abundance of shelter. Or so it was in the beginning.
As the children grew it became undesirable that they sleep in the parents'
bedroom, and they had to be segregated according to sex. Now the metal
beds had to be unfolded in the evening in the drawing room and the lobby--the
old carpet having been carefully rolled up. Paul's first observations of
population dynamics, habitat, dispersal, migration according to resources
were made at this time, suddenly there were more bedbugs in the drawing
room, there was a population explosion under the picture of Our Lady of
Lourdes--and breeding grounds were established in a number of suitable
places, although the frame of the metal bed itself was never found to harbour
a single bedbug. Still, the paternal bedroom remained the most densely
populated area. Paul was too young to ponder whether tradition and ecology
are complementary.
By mid-afternoon on bedbug hunting days, the stove in the bathroom was
fired so as to provide a bath for the sweaty, tired hunters. By dinnertime,
the children counted the slain bedbugs, the weapons were cleaned and put
away, even the newspapers, somewhat soaked, were folded and ready to be
taken to the cellar. The furniture was back in place, the beds were reassembled,
everything was clean and new. So were the children. Paul sat at dinner
on such days in his pyjamas, rolled into a wollen blanket, his freshly
washed hair covered with a huge woollen turban. These precautions, to avoid
pneumonia and meningitis, were necessary because the windows and the doors
were all open. There was a devilish draft in an attempt to diminish the
turpentine smell.
On these evenings after the bedbug hunt, the exhausted children went to
bed without demur. Whilst Paul tried to find in the clean and therefore
cold bed a cozy way to lie down, he could hear the splashing and snorting
and gurgling noises which he later in life learned to associate with hippo
schools--which noise, however, in those days, came from the bathroom where
Father was the last of the family to set to scrubbing.
On these evenings, Paul was asleep before Mother came to say the evening
prayer, although, as he grew older, he used to notice the touch of her
tender finger with which she traced the Sign of the Cross on his brow.
Imre J.P. Loefler
was born and educated in Budapest, left the country in the late
forties, became a physician, and now works as a surgeon and specialist
in tropical diseases at Nairobi Hospital in Nairobi, Kenya.